Goodes himself recedes as the film goes on and the media barrage continues. Adam Goodes during the 2015 semi-final between the Sydney Swans and the North Melbourne Kangaroos. Project-specific support provided by Screen Australia's production investment programs since the agency's inception in July 2008. 'The Final Quarter' compiles a selection of opinions from cultural commentators at the time (like Andrew Bolt, Miranda Devine, and Rita Panahi), who present the most common arguments for why people were booing Goodes. [8][9][10], During a match against Carlton in May 2015, again during the Indigenous Round, Goodes celebrated a goal by performing an Aboriginal war dance, in which he mimed throwing a spear in the direction of the Carlton cheer squad. The AFL issued an unprecedented and extraordinary response on the night of the films premiere, apologising for the treatment that Adam Goodes had experienced and for not doing enough. This is what was heard. Learning Through Film, Social Issues, Indigenous Education, Aboriginal and Torres Strait Islander Histories and Cultures (OI.9), The Final Quarter Assembling Archival Footage Media Arts Years 9 & 10, Editing Conventions Seed Discussion Posters, Editing Vocabulary And Archival Documentary Conventions Factsheet, Students understand how technical and symbolic codes are used by the director of. As Darling astutely realised, the footage says it all. 0000013810 00000 n
[13][14][15][16], Goodes retired from the AFL in September 2015. trailer
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They specialise in creating documentaries that educate the public about important social issues. identify different documentary making techniques. 0000007435 00000 n
The methodology of The Final Quarter and other aforementioned films of its ilk can have a distancing effect - many of the traditional powers of the motion picture medium (cinematography, for. 0000067425 00000 n
Please update your location and try again, On the Way: Upcoming Brisbane Openings to Put in Your Diary for 2023 and Beyond, Oktoberfest Brisbane Is Saying Auf Wiedersehen After 15 Years of Steins, Schnitties and German Celebrations, Sydney's YCK Precinct Has Been Named Australia's First Purple Flag District for Its Vibrant and Safe Nightlife, Disney's 'Peter Pan & Wendy' Trailer Is Here with Your First Look at Jude Law as Captain Hook, The NGV Is Getting a World-Premiere Pierre Bonnard Exhibition with Scenography by Architect India Mahdavi, Parrtjima A Festival in Light Has Revealed the Full Lineup That'll Dazzle Alice Springs This Autumn, Splendour in the Grass Has Locked in the July 2023 Dates for Its Huge 21st-Birthday Festival, 'MAMMA MIA! By calling out racism, and by refusing to be put inside a box where the powers that be might have liked him to remain, Goodes unquestionably made life harder for himself. If teaching in a context with a high proportion of Aboriginal and Torres Strait Islander children, it is imperative that guidance is sought from the Principal and Aboriginal Education Officer (or equivalent) prior to screening the film. The game did not do enough to stand with him, and call it out. A supercharged current courses through it, Darling having created less a documentary than a kind of electric cine-essay, pulsing with energy and urgency. Explores how to respectfully listen to and engage with Aboriginal and Torres Strait Islander peoples, histories and cultures. Tracy Bentin,Psychologist,MAPS; Grad Dip Applied Child Psych; BBSc (Hons). Learn more about the film here. The Final Quarter Teaching Resources The Final Quarter Curriculum Resources Fighting against Racism through Education. 0000095341 00000 n
I am referring of course to the final quarter, as it were, in the career of Sydney Swans star Adam Goodes, who chalked up a whopping 372 games in total the most of any Indigenous player in history. Camera angles refer to the tilt of the camera in relation to the scene and the characters. Relevant parts of Years 9 & 10 achievement standards: By the end of Year 10, students analyse how social and cultural values and alternative points of view are portrayed in media artworks they make, interact with and distribute. During the last three years of his career, Goodes was named Australian of the Year, accused of staging for free kicks, and performed an on-field war dance celebration. 0000001825 00000 n
Angles. Director Ian Darling joins us to discuss, ://fbiradio.com/ian-darling-yvonne-sampson-last-days-adam-goodes-career/, https://thefinalquarterfilm.com.au/about/. How is The Final Quarter unlike other documentaries you have seen? The cheers became boos as the crowds turned on him. Narragunnawali (pronounced narra-gunna-wally) is a word from the language of the Ngunnawal people, Traditional Owners of the land on which Reconciliation Australias Canberra office is located, meaning alive, wellbeing, coming together and peace. Available free with ClickVIew subscription at the film website www.thefinalquarterfilm.com.au. Cool Australia has produced 52 lessons designed for Years 5-12 that investigate racism, privilege, truth-telling, cultural pride, resilience, values and dignity. Using only archival footage aired at the time, The Final Quarter holds a mirror to Australia and is an opportunity to reconsider what happened on and off the football field. Many Year 10-11 students openly admitted that it had changed their attitudes, and students have said the film empowered them to stand up to racism and helped them acknowledge it was damaging. Given the content, it is also important for teachers to communicate with parents and guardians of Aboriginal and Torres Strait Islander students before playing the film and/or engaging with the teaching and learning resources. The Final Quarter was made by Shark Island Productions, an independent film production company. ay back in the distant dark ages of Australian history those atavistic times when the nation was young, barbaric and bigoted one of the greatest players in one of the countrys most cherished sports leagues ended his career not in fanfare, but as a figure at the centre of an ugly debate about racism. Request an update here. Explores how privilege operates in Australian society and encourages thinking about how to acknowledge and challenge white privilege to create a fairer society. We acknowledge the Gadigal people of the Eora Nation as the traditional custodians of the land on which we work and we pay our respects to ancestors and Elders, past and present. Upon hearing the abuse, Goodes pointed the girl out to security, who ejected her from the stadium. %PDF-1.4
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Student Worksheets one copy per student. Keywords: film, documentary, analysis, analyse, media, The Final Quarter, archival, footage, conventions, Aboriginal and Torres Strait Islander, AFL, footy, football, perspective, point of view, techniques, editing. Make Concrete Playground yours with My Playground. [11] The booing of Goodes intensified in the months after the war dance. Explores race relations in Australia and how formal and informal treatment of Aboriginal and Torres Strait Islander peoples impacts upon their sense of belonging. Book unique getaways and adventures dreamed up by our editors. This powerful film captures a period from 2013-2015 focusing on leading Sydney Swans AFL player Adam Goodes in the final years of his football career. Considers how the media influences audience perspectives through the use of language and point of view. Made entirely from archival footage, photos and interviews sourced from television, radio and newspapers, the film reviews the national conversation that took place over this period, and places it in a wider historical context. 0000052832 00000 n
Is this your listing? To help make planning easier you can access all the specialist units on this page. This film explores the detrimental treatment of AFL star Adam Goodes and the media and community responses. They specialise in creating documentaries that educate the public about important social issues. -EpDLYA~cORC#YRK-mhzioMK3mTm5S,^OphMQ#mxuGZck{u?z],l^lmQ2U[++e8)i,lIca4aC]FSx. See a snapshot of media articles here: Additional assets have had high engagement including 944 Screening Guide downloads. FBIRadio. subsequently exacerbated the situation by suggesting, in an on-air interview, that Goodes be used to promote the forthcoming stage musicalKing Kong. Video: Ian Darling and YvonneSampson on the Last Years of Adam Goodes' Career. 0000008940 00000 n
Music: Paul Charlier This sets the scene for exploration of one of the films key messages: that words matter, and they ought to be used responsibly. Extremely effective in initiating a national conversation regarding racism in Australia. We have consulted with experts in human rights, reconciliation and psychology to ensure these lessons promote emotional safety and cultural awareness. Students understand the definition of archival documentary and the process of selection and omission to construct meaning for the audience. Lighting Costume and make-up Staging/blocking: movements and performance Note: Mise en scene is independent of the camera work or editing. In April 2019, on the eve of the documentary's premiere, the AFL and all of its 18 clubs issued an unreserved apology for the sustained racism and events which drove Goodes out of the game. When the football crowds turned on him, the Brownlow medallist left his beloved game. Includes investments, loans and grants. 33 Creative and the GO Foundation were invaluable in publicising the film and carrying out its impact campaign over social media. Perhaps fed up with just that kind of dance, Goodes celebrates a goal with a traditional war jig that culminates in the throwing of an imaginary spear, and talkback radio again lights up. Note: This film may not be suitable for viewing by all young people. We acknowledge and pay our respects to their cultures and traditions, and to Elders past, present and emerging. Directed by Ian Darling, and solely compiled from archival material in a technique reminiscent of another great sports doco in recent years, Senna it's a powerful and impassioned chronicle of the treatment Goodes received from crowds and commentators alike. Cool Australia has produced 52 lessons designed for Years 5-12 that investigate racism, privilege, truth-telling, cultural pride, resilience, values and dignity. hbbf`b``3
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Darling presents a self-consciously larrikin culture in which the right to provoke is sacrosanct, and perceived pomposity is eagerly sniffed out. They said: Adam, who represents so much that is good and unique about our game, was subject to treatment that drove him from football. 0000067911 00000 n
Quick summary: Retired AFL star Adam Goodes is known to many for his resilient journey in the face of detrimental treatment by AFL spectators and the media beginning in 2013. Narragunnawali: Reconciliation in Education (Reconciliation Australia). Producers: Mary Macrae, Ian Darling Tracy enjoys supporting the educational, social, emotional, and mental health needs of young people and their families. When film-makers and critics refer to mise en scene, they are often referring to these 4 main elements on the screen: Setting including props and decor. Australian documentary filmmaker Ian Darling re-examines the incidents that marked the final 3 years of Indigenous footballer Adam Goodes' playing career. write an analysis based on the conventions of archival documentaries. Tracy has a particular interest in emotional intelligence and supporting young people to develop skills and strategies that can assist them in being their best selves. In the final three years of his playing career he became a lightning rod for a heated public debate and widespread media commentary that divided the nation. 0000004654 00000 n
One thing the film used was Mise en scene. 0000007162 00000 n
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Concrete Playground acknowledges the Traditional Owners of the lands where we live, work and play, and across the lands we travel through. The fallout inevitably led to a backlash against the fallout, in a manner familiar to anybody whos cast a cursory glance at online comments sections, in which over-sensitivity is positioned as an existential threat. An in-depth look at casual racism and racial vilification in Australia. At the centre of a maelstrom, confronted by all kinds of ugly behaviour, the player himself remains composed and eloquent, offering nuanced perspectives. Read for more details. THE FINAL QUARTER | Film - Official website TRAILER PAUL KELLY MUSIC VIDEO Education Resources FOR SCHOOLS AND SPORTING CLUBS All Resources Watch now Request Free DVD Screening Guide Adam Goodes was a champion AFL footballer and Indigenous leader. Retired players such as Sam Newman, whose goblin-faced invective bookends the film, reassures Goodes hes being jeered not because hes black, but because hes a jerk. Director Ian Darling joins us to discuss the importance of telling the story and what we can all learn from it. Further, the film has already achieved positive educational outcomes. Unit: The Final Quarter - Watching The Film - Years 5-12 Activities for this Unit Tuning in About the Film Adam Goodes is a champion AFL footballer and Indigenous leader who became a lightning rod for an intense public debate and widespread media commentary that divided the nation. Being independent means they are not owned by a major media company. 0000067587 00000 n
Late 2019: Launched the educational strategy in partnership with the Australian Human Rights Commission, Reconciliation Australia and Cool Australia, including 46 lessons for years 5-12 on dignity, cultural pride, racism, truth-telling, respect, resilience, and mental health. The Final Quarter: Directed by Ian Darling. Venue: Sydney Film Festival, Sign up for THR news straight to your inbox every day. Following the screening, the ABC's Fran Kelly talked with Darling, ex-footballer Michael O'Loughlin and AFL Inclusion and Social Policy Manager Tanya Hosch about the film, Adam Goodes . The racially motivated vilification and unsympathetic voices from audience members and commentators increased to the point where he left the game on which he had built his career. [28], The documentary was widely praised by critics. Production companies: Thirty Seven Films, Shark Island Productions 0000000016 00000 n
[12] He returned the following week and played for the remainder of the season after an outpouring of support from fans, actors, politicians, celebrities and teammates, including two spontaneous standing ovations. 0000010015 00000 n
So, too, do the boos every time the player steps foot on the paddock, for more than sixteen weeks. Students explore the way mood and message is created for the audience by the editor and director. Unsurprisingly, it's also both moving in displaying the AFL champ's dignified response to such horrors, and infuriating in its thorough examination of his ordeal. Investigates our individual and collective responsibility toaddress racism in the community, workplace and school. Save and share your favourite picks and make plans to go out with friends. The methodology of The Final Quarter and other aforementioned films of its ilk can have a distancing effect many of the traditional powers of the motion picture medium (cinematography, for instance) having been surrendered for more curatorial kind of approach. [7], Over the following years, and particularly in 2015, Goodes was repeatedly and loudly booed by opposition fans at most matches. 0000062218 00000 n
We highly recommend that students view the film in its entirety before participating in subsequent lessons. 0000003655 00000 n
Revelation Perth International Film Festival Inc, Distinctive storytelling for the big screen, Ambition, creativity, audience engagement, Quality, cultural value, innovation, diversity, Opportunities for First Nations storytellers, Insights into challenges facing the industry, International awards for Australian projects and people, Australian screenings at international festivals, International Pitching Events and Talent Labs, International Marketing Support: Festivals and awards, All Screen Australia production applications. Screen Australia is not responsible for and does not endorse any Third Party Sites' use, effect or content or any associated organisation, product or service on the third party site. [30] Garry Maddox, for the Sydney Morning Herald says "It is a powerful work that stirs deep emotions",[31] while Screenhub's Sarah Ward calls it 'crucial'. Subscribe for full access to The Hollywood Reporter, Ian Darling recaps the years-long media cycle that drove Indigenous sportsman Adam Goodes out of the limelight in 'The Final Quarter.'. 0000010667 00000 n
It's written by acclaimed journalist Stan Grant, and will open the Melbourne International Film Festival before hitting theatres around the country. His response strives to acknowledge the hurt inflicted on Aboriginal peoples without sounding ungrateful for the honor just bestowed upon him, and its the futility of his efforts to tread this line between calling a spade a spade and conciliation that gives his media encounters their sense of discomfort, and of poignancy. Investigates different forms of racism and challenges us to interrogate and confront attitudes and behaviours. 0 Qq
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Documentary Australia at Sydney Film Festival, https://thefinalquarterfilm.com.au/media-articles/, Early-Mid 2019: Screenings with dozens of influential organisations and individuals including peak Indigenous bodies, the Australian Human Rights Commission, the AFL including the Indigenous Players Group and all 18 AFL Clubs, May 2019: Media screenings for more than 100 journalists as a part of a proactive media strategy to reach a mass audience, 7 June 2019: Premiere screenings at the Sydney Film Festival to sold out audiences, receiving unprecedented demand and extensive media coverage, followed by a number of other film festivals, 19 July 2019: Broadcast nationally on Channel 10 (July 18) and WIN- accompanied by a special on, 20 September 2019: the film became freely available to schools, sporting clubs and community organisations and anyone could access the resources, stream the film, or request a copy of the DVD, Community, corporate, school and sporting club screenings were facilitated, with Shark Island staff attending over 95% of the screenings to participate in panels and Q&As, 27 September 2019: the Home Entertainment (digital) release began. In these 52 lessons students will learn about taking responsibility for their words, actions and attitudes towards Aboriginal and Torres Strait Islander peoples and the importance of rejecting racism in all its forms. 0000069818 00000 n
Use these age-appropriate lessons to guide your students through the process of viewing the filmin its entirety. H\Mj0>3ML(d F68*-g[v2wc S uUlqh\2opzqoMpgH*h8^vC.)>PzqC42DYQH_>atwmU#y{m}|,6L |,,BG The documentary intertwines media clips from Goodes' games, general AFL coverage, news stories, press conferences and interviews from the era to paint a heartbreaking picture of the ex-Swans captain's experiences. We strongly recommend each unit is delivered in the recommended sequence to achieve maximum impact and understanding of the concepts. The impact and outreach campaign is expected to significantly expand in 2020, with a DVD to be given to the principal of every high-school in Australia. Goodes himself clearly believes this, and his ongoing presence in the film (which he supports but was not involved in) is a balm to the rash of madness around him. 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In addition, there was an incredible response and conversation that occurred on social media, with the film trending in the top-ten mentions in Australia for days. That's not going to change in 2019, but for a different reason the dual Brownlow medallist and 2014 Australian of the Year is the subject of two documentaries, with each exploring his story on and off the field, including the racism he endured over his 17-season playing career. 'The Final Quarter': Film Review. Editor: Sally Fryer The documentary intertwines media clips from Goodes' games, general AFL coverage, news stories, press conferences and interviews from the era to paint a heartbreaking picture of the ex-Swans captain's experiences. Addressing the media the day after famously being called an ape by a 13-year-old girl in the stands, for instance, Goodes rightly criticises the teenagers behaviour while calling for compassion insisting that its not her fault, that kids are innocent and we need to support her. Director: Ian Darling The filmmakers sympathies are not in doubt, though his decision to avoid talking heads relying instead on contemporaneous television coverage makes his case stronger by giving all the fulminators enough rope to hang themselves. [17] He did not attend the Grand Final, where retiring players traditionally take part in a parade, one of only a handful of players to decline this invitation since the parade for retiring players was established. Darlings approach differs in that his intention in many respects is more ambitious, and certainly more relevant to Australian society, than the more familiar price of fame and portrait of obsession style narratives. The filmmaker's sympathies are not in doubt, though his decision to avoid talking heads - relying instead on contemporaneous television coverage - makes his . This despite the nuance with which he spoke about the incident, and his carefulness to lay the blame on her environment, rather than on the girl herself. 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